PRODUCERS Flags of Our Fathers. Produced by Robert Lorenz, Clint Eastwood, Tim Moore and Steven Spielberg. SCREENPLAY Flags of Our Fathers. Screenplay written by.
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Flags of Our Fathers
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From Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven) comes the World Was II epic Flags of Our Fathers, produced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler’s List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash). February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima, which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory. Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley’s father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never knew the full extent of his father’s experiences until after the elder Bradley’s death in 1994. Amazon.com Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities – and resentful pawns in a wartime publicity campaign – after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history. As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon Beyond Flags of Our Fathers Iwo Jima ("Sulfur Island" in Japanese) is a little island six hundred miles south of Tokyo. (Today there is only a Japanese military base now, and you cannot visit the island.) But the name of the island got famous immediately after one photo was taken and published in America nationwide during WWII. The memorable image of six soldiers raising a flag gave courage to the people in America, and three surviving soldiers returning their country became national heroes. It's a famous story. Clint Eastwood's new film `Flags of Our Fathers' does not try to `debunk' this story. It gives human face to these flag-holing soldiers without over-glorifying them, showing what happened to these heroes John "Doc" Bradley (Ryan Phillippe), Rene Gagnon (Jesse Bradford) and Ira Hayes (Adam Beach) before, during, and after the Battle of Iwo Jima. Familiar actors like Jamie Bell, Paul Walker, Robert Patrick and Barry Pepper appear, but the three above play the pivotal roles here. Remember this is a war movie, and the battle scenes on the beach are often disturbing. (One of the film's producers is Steven Spielberg). Though the fight scenes are less bloody and brutal than those of `Saving Private Ryan,' they are still honest, often shocking, not only because of the bullets and grenades, but because of the confusion and total chaos of the grey-colored battlefield. Eastwood refuses to soften or sensationalize anything, but the results are riveting. Though the film's theme is clear, its narrative requires our patience a little. The film's story goes back and forth (screenplay part done by Paul Haggis, `Crush'), and this only makes the film look slightly detached from us. The disjointed story requires us to reconstruct, not follow, the experiences of the soldiers.Read more › In 2006, Clint Eastwood launched one of his most inspired projects; Two war movies, set during World War II on the Japanese island of Iwo Jima. "Flags of Our Fathers" was the first. It received generally good reviews, but had a lukewarm reception from audiences. Then came the 2nd one, the Japanese language "Letters from Iwo Jima." That film received great reviews, was embraced by audiences, and was nominated for Best Picture. Having said that, "Flags of Our Fathers" definitely falls into the category of underrated. I don't particularly like war movies, but this is a great film and I think it's one of the best films of 2006. The cast is made up of mostly young actors, often called "pretty-boys" such as Ryan Phillippe, Jesse Bradford, and Paul Walker. It also features an Oscar worthy supporting performance by Adam Beach and some great supporting work by Jamie Bell, Barry Pepper, and others. Phillippe plays John "Doc" Bradley, a Navy Corpsman. Bradford plays Rene Gagon, a runner. Beach plays Ira Hayes, an Indian. These three men go from mere soldiers to American heroes after a picture is taken of them raising the flag. Thrust into the spotlight, the men cope with being considered heroes when they point out that the real heroes are the men lying dead on the island of Iwo Jima. Eastwood uses cinematography with a heightened visual reality that makes the film a wonder to behold. Now, as I said, audiences haven't received this movie in the same way they did say "Saving Private Ryan." I will say that out of the last few films Eastwood has directed (Mystic River & Million Dollar Baby), this one is the weakest. But it's an inspired project with a great script, terrific cinematography, wonderful performances, and great direction.Read more ›
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